This is the first article in a planned series examining the originality of nature and city images in L. Semenov's works, focusing on the evolution of his worldview (from symbolist to folk/sectarian) as reflected in plant images like birch, oak, and especially "grass." The frequency of nature imagery varies across his career, being key in his 1905 collection and the exceptionally rich lyrical poem "Prison Songs."
AESsuccess
як Rachel Berry (2025-10-03)
This is the first article in a planned series examining the originality of nature and city images in L. Semenov's works, focusing on the evolution of his worldview (from symbolist to folk/sectarian) as reflected in plant images like birch, oak, and especially "grass." The frequency of nature imagery varies across his career, being key in his 1905 collection and the exceptionally rich lyrical poem "Prison Songs."
https://www.aes-success.org